Monday, June 21, 2010

Fathers on Father's Day 2010

By Richard Ammon
GlobalGayz.com
June 20, 2010

There have been several fathers and grandfathers in my life, some known in person, others through family stories, others by name only. My father and his father were the only ones I knew in person. My mother's father died before my birth. All my great grandfathers were long deceased before me with only tales and bits of memory to bind them to me.

I think about these men and their times and their families and how things have changed so much that separates us, my life from theirs. My great grandparents and grandparents were all born in the 19th century, my parents in the early 20th century and my siblings and I came along about mid-century. We are now into the 21st century and into a lifestyle hardly recognizable to my ancestors.

I'm tempted to say the most significant difference between me and my forefathers is that I am gay, but this has not the significance one might think. Rather, I think the big change is the freedom I have; the choices I have open to me--and the money to make the choices happen.

My predecessors were all married in their young twenties (a couple of the women in their late teens) and started having children. My mother was 22 at the birth of her first child, my father was 26. My grandfather was a parent at 25.

None of these men were outstanding in wealth but rather had steady, mundane and routine work in American industry, grandfather as a maintenance foreman, my father was an accountant. Great-grandfather wrenched his way from Switzerland and was a manual pick-up worker most of his 54 years.

Saddled with kids and hemmed in by modest incomes their lives, their choices, were circumscribed by events of their own making (not necessarily chosen), the sort of events that followed cultural tradition and heterosexual orientation. My non-collegiate grandfather did see all his six children go to college of one kind or another. My father went to Bucknell University where he got a wife as well as his degree.

The next step was a job and then came the kids, four of us, so he never saw London or Paris---but loved Beethoven. The closest my grandfather got to Europe were the letters he received from his Swiss aunts and from his brother John fighting on the Allied front lines in France. (He was killed less than month before the armistice in 1918.)

Before that my great-grandmother apparently took her own life leaving behind six young children (including my grandfather) to be put into a children's home, an institution. My grandfather never forgave his father for this perceived abandonment, although his father stayed in the area. (My grandfather refused to put a headstone on his grave after his father's death.) Then a generation later, my father also took his own life.

Angry men with unfinished emotional business, big families and little money. That's the significant difference I reflect on during this father's day, 2010.

I'm the first in all my generations not to be a father. I am the most educated (PhD) and by far the most financially well-off of any of these sires. From this well-appointed and comfortable life, along with my long-time partner, I can't help thinking back on the hard times of my fathers and the 'caged' lives they lived.

My great-grandfather likely wanted to be a horse trainer. My grandfather loved to sing and might have performed opera. My father played the violin and might have joined an orchestra (and might have been gay).

My heart feels heavy for these men. I wish they had had my freedom to claim their authentic selves without the hindrances of obedience and conformity. Instead they made families, intentionally or not, and spent their productive years providing for their offspring, going to work, repairing the roof, raising chickens or growing vegetables.

I look around today and see men in young parenthood pushing strollers and watching the birds fly and the wind playing with the trees, and I wonder...

Sunday, June 20, 2010

Photo Memories as a Tapestry of My Life

By Richard Ammon
GlobalGayz.com
June 20, 2010

For more than forty years I took photos wherever I went--local family and friends, distant lands, famous landmarks, oceans, landscapes, handsome people, unexpected moments… or myself in 1990 (photo right). Whatever came into view that appealed to my sensuous eye or aesthetic intuition. Hundreds, thousands of images accumulated into hard-copy albums with plastic sleeves. Forty, fifty albums spreading up and down and across my study. Massive.

Then came digital cameras, SD cards and even more thousands of photos. But the hard copy albums stopped and iPhoto took over, now reaching toward 25,000 images that take up the space of a fingernail.

It became evident that the albums had to go digital as well so I hired a young friend with time on his hands to take the albums apart, photo by photo. It took him a month and the photos filled two large cardboard boxes.

The final impetus to go from hard to digital came when I discovered the brilliant technology of the Kodak Multi-scanner in a local photo store that could scan hundreds of photos onto a DVD in a few minutes. My decision was made for me.

I now have two DVDs of my hard photos, about 6,000 on each disc ranging from 1970 to the present, some of which will some day be edited and posted into photo galleries on my website GlobalGayz.com.

But this blog is not about digital photography, miracle that it is.

This blog is about letting go of some images of my past, about aging and having bigger decisions made as I age, about memories and what they are and what they mean.

It's easy to say the bulk of these colored glossy prints should just be tossed as so much clutter or excessive bits of paper to be taken away. But not so fast. The hesitation is that each photo I see is a moment of my life and how do I toss away moments of life?

Across the span of 60 or 80 years the mind absorbs billions of fragments--sights, sounds, touches, feelings and so on. Precious few of these are caught on film and frozen into a chemical or digital still while the rest are slowly forgotten for months or years or forever. Forgotten but not totally lost. Suddenly a photo from high school, or Nepal or Morocco or an ancestor or the GayGames of 1986, or my mother in 1977 (photo right) brings back the scene, a particular moment of life from long or short ago, reconnecting my present mind with a past that I lived in and passed through.

Of all the moments of our lives, we remember exceedingly few, the peaks of marriage, death, love or injury or beauty or war. The billions of others just flow on by as if they never happened, unrecalled among the countless mushy chemistry of brain cells. Some experiences we need or want to forget; usually we didn't take photos of hard times that left scars or deformities.

Most others are seemingly forgotten but not in the presence of a photo. These are the moments of my mortal life and I do want to remember them; I want to remember as much of my life as possible, to continue the meaning of my life, uncertain what that means.

Photos reveal the tapestry of my life. I want to see as much of it as possible, not toss it out, not forget it while I'm alive. Death will close my gallery soon enough and the rest will be silent and invisible. Until then, I will continue collecting images, collecting memories, collecting my life and adding to the tapestry.

Saturday, June 5, 2010

Opera at the Gym

By Richard Ammon
GlobalGayz.com
June 5, 2010

I joined a 24-hour Fitness gym last year. I thought I was buying into an exercise venue. That it is, complete with a 5-lane pool which I use almost everyday.

But what they didn't tell me when I put up my cash is that the fitness center and equipment also came with a built-in concert hall, a rock n' roll pop-rock concert hall thanks to surround-sound speakers all over the place including in the bathrooms.

Pop is "commercially recorded music, often oriented towards a youth market, usually consisting of relatively short and simple love songs and utilizing technological innovations to produce new variations on existing themes." It's awful. The lyrics are immature, simple-minded, shallow and the music is repetitious, hyper-rhythmic-dance-beat, generic and boring. Need I say more to make the point?

Any effort to get the volume turned down is usually met with a incredulous expression by staff who invariably say "people like this." According to what poll, I ask in vain.

Obviously up against a cultural brick wall (more like a rack of torture) I had the choice to quit the gym--all gyms, since they all play this stuff--or not use the heavy metal/machines and only swim, where the sound is the caress of bubbling water. Or take the route of most other gym bunnies: wear an MP3 player or iPod with earbuds, which don't really remove the pop-rock music but rather add a layer of chosen music or podcasts. What cacophony that is, but most of "the people" seem immune to noise in their heads.

As it happened, in the midst of this dilemma I accidentally bought an iPad (I wasn't really shopping) and soon added Bose headphones that, together, created a fine concert hall around my head. But I can't carry my iPad around the gym so I plugged the headphones into my small Sony Walkman SRF-M37W Personal radio (with belt clip) and, thanks to the remarkable sound-reduction ability of the Bose headset, I could listen to my local classical radio station, KUSC from Los Angeles. About 85% of the pop-rock was shoved off the sound stage allowing Mozart, Bach, Strauss and Brahms to accompany my workouts. Lovely.

In addition to the everyday symphonies, concertos and chamber music, today happened to be in the middle of the phenomenon known as 'The Ring Cycle' (The Ring of the Nibelung), the most famous (or infamous if you're into pop-rock) set of four operas (each one lasting 4 hours) composed by the quirky but brilliant Richard Wagner ('Vagner' for those ignorant of German) (photo left) composed in the late 19th century. and sung today by a world class cast headed by the eternal tenor Placido Domingo (photo above right).

Despite some lethargic solos and slow sung dialogue the music soared at other times to be chilling and rapturous. I felt I was there in my Bose space capsule listening to the rich complexity of the finest of romantic opera. (photo top, Metropolitan Opera House)

Yet here I was among the hard metal and rocking' gym in an anonymous stucco building in southern California, not far from Home Depot, Wal-Mart and Costco--contemporary 'culture'--transported by the Los Angeles Opera orchestra and world renown singers (and KUSC tech staff) to a cultural world far away; from the vulgar mundane to the exquisite sublime. Do I exaggerate? Perhaps.

But one thing's for sure; I was probably (hopefully not) the only gym-bunny in California (the world?) in the middle of a carnal 24-Hour Fitness center being swept up into the exalted majesty of great art by a live opera broadcast of Wagner's 'Die Walkure', a fantasy piece about gods and mortals. It was hard to keep my mind on my workout, not that I cared, not that I wanted to.